[39] Lorna Jowett called the song "the most erotic scene" of the series. Michelle Trachtenberg (Dawn), who is trained in ballet, requested a dance sequence in lieu of a significant singing part,[9] and Alyson Hannigan (Willow), according to Whedon, begged him not to give her many lines. song by Buffy. Led by Giles, the gang theorizes about the cause of the singing; they sense no immediate danger but agree that by working together they can overcome anything ("I've Got a Theory/Bunnies/If We're Together"). [59], An album including all 14 songs in the episode, with Christophe Beck's scores for three other Buffy episodes, was released by Rounder Records in September 2002 as season seven premiered. So, where do we go from here? [31] In his essay "A Kantian Analysis of Moral Judgment in Buffy the Vampire Slayer", Scott Stroud explains that Buffy, as the central character throughout the series, is torn between her desires and her duty, in a Kantian illustration of free will vs. predeterminism, symbolized by her responsibility as a Slayer and her adolescent impulses. Randy Lewis (September 23, 2002). Giles The battle's done and we kind of won Giles, tara So we sound our victory cheer Where do we go from here? Near the end of Tara's song, she sings, "Lost in ecstasy / Spread beneath my Willow tree / You make me / Com — plete", as Tara levitates off the bed while Willow tacitly performs cunnilingus on her. [37] Whedon shot the scene so that Giles moves in real time while Buffy works out in slow motion, to accentuate Giles' distance from her. Why is the path unclear, Castañeda, Laura; Campbell, Shannon (2006). [40] Whedon admitted on the DVD commentary for the episode that the song is "pornography" and "probably the dirtiest lyric I've ever written, but also very, very beautiful". Sweet was portrayed as "slick", smooth and stylish; in contrast, most demons on the series were designed to be crude and ugly. Quite simply, television at its best. "[14], The episode's musical style varies significantly. But we'll walk alone in fear. Anya, xander Why is the path unclear When we know home is near? When the others arrive, she divulges that Willow took her from heaven, and Willow reacts with horror at finding out what she’s done. Bugger this. Where do we go from here? "Something to Sing About". Where do we go from here. Xander then reveals that he, not Dawn, called Sweet, hoping he would be shown a happy ending for his marriage plans. "Something's Fangtastically Wrong in Emmyland". I say that’s not going to happen. [51], Writers agree that the episode was risky and could have failed spectacularly. "Joss Whedon Gets the Cast Vamping", Zacharek, Stephanie (November 7, 2001). [52] Johnston in the Sunday Herald Sun says, "There is just so much to this marvellously cheeky episode that suggests the show can take any route it pleases and pull it off",[13] while Debi Enker in The Age comments, "Whedon demonstrates yet again what Buffy aficionados have known and appreciated for years: that his wit, playfulness and readiness to take a risk make his television efforts rise way above the pack. Wanneer deze compositie beschikbaar is voor verschillende instrumenten, dan hebt u de  … During the long single-shot scene when she and Xander talk over each other insisting to Giles that evil must be at play, Anya refers to the audience, saying "It was like we were being watched ... Like there was a wall missing ... in our apartment ... Like there were only three walls and not a fourth wall."
The battle's done,
And we kind of won
So we sound our victory cheer
Where do we go from here? [23] The consequences in the episode of concealing truth, spontaneous combustion, is an allusion to Bleak House by Charles Dickens—of whom Whedon is a fan—where characters also face immolation for being deceitful. [42] Benson remarked that Tara's story arc is significant within the episode, starting out with ecstasy but soon recognizing the illusory circumstances surrounding her bliss and that "life can't be perfect all the time". "In The Know; Musical 'Buffy' Finally Lands in Stores", National Academy of Television Arts and Sciences, Once More, with Feeling (Buffy soundtrack), "Breakaway pop hit or ... book number? When does the end appear? She has been confiding in him; prior to this episode, he is the only one to whom Buffy has revealed that she was in heaven. [6] Each of the eight characters in this line wears a color in the visible spectrum, a conscious decision by the costume designer. by Buffy the Vampire Slayer Cast and see the artwork, lyrics and similar artists. "Brilliant Buffy still slays us". [32], "Once More, with Feeling" was Joss Whedon's first attempt at writing music, which he had always wanted to do. I’m a grown ass man and I love that song. [8][note 1] Two choreographers worked with Whedon and the cast on dance sequences. Where do we go from here? Head had musical theater experience in. ": "Once More, with Feeling" and Genre, "411Mania Interviews: James Marsters (Buffy the Vampire Slayer, Angel)". Anya and Xander: Why is the path unclear When we know hope is near? Welcome, fellow Buffy fans! Murray, Steve (November 6, 2001). "' Lyrics sung moments before, however, forecast the uncertainty of the relationship between Spike and Buffy, as well as their contrasting reasons for initiating any romance; Spike wants to feel love from Buffy, while she simply wants to feel. Throughout the show—as in the rest of the series—the characters self-consciously address their own dialogue and actions. [72], Buffy the Vampire Slayer developed an enthusiastic fan following while it aired. [7] In Sex and the Slayer, Lorna Jowett calls the song between Willow and Tara the transformational event in their relationship, from Tara's subservient bearing towards Willow, into a relationship of equals. Whedon called the shot the "single greatest thing we ever did". For as long … ANYA, XANDER Why is the path unclear When we know home is near? [6][25], Secrets reveal themselves steadily throughout the episode. ANYA, XANDER Why is the path unclear When we know home is near? In the end, it was an incredible experience and I'm glad I did it. Menon, Vinay (November 13, 2002). Sunnydale is gone, so where do we go from here? at Buffy's younger sister), and a live cast performed the episode alongside the screen. This page was last edited on 16 January 2021, at 13:21. This continued through the series to the point of unpredictability that sometimes became unsettling to fans. This was heightened during the fifth season when he hosted a Shakespeare reading at his house, to which the cast was invited. I started reading the comic books and then moved away from the nearby comic store. Whedon wanted to use a similar opening in which the heroine explains her yearning. Maybe it's a Beatles thing. Albright asserts that Anya's constant preoccupation with her and others' performances indicates that she has serious doubts about her future supporting role as Xander's wife. He tells Dawn that he has come to Sunnydale in response to her "invocation", and he will take her to his dimension to make her his bride ("What You Feel") when his visit is complete. I just rewatched Buffy, where do I go from here? Audience members received props to use during key scenes, as well as directions (for example, to yell "Shut up, Dawn!" GILES The battle's done and we kind of won GILES, TARA So we sound our victory cheer Where do we go from here? The musical television episode was declared a genre, a gimmick, according to Mary Williams at Salon.com, for series that had run out of interesting story lines and characters. Enker, Debi (April 11, 2002). Anthony Stewart Head and James Marsters were exceptions. Dawn starts to bemoan that no one seems to notice her ("Dawn's Lament"), but is soon seized by minions of Sweet (Hinton Battle), a zoot suit-wearing, tap-dancing, singing demon. [7][note 3] Whedon included self-conscious dialogue and references about the characters being in a musical and showed their reluctance toward song and dance, so that the audience would feel more comfortable with the improbability of such a thing happening on the show. NATAS attempted to remedy this by mailing a postcard informing its voters that it should be included, but the episode did not win. Where Do We Go From Here Lyrics: TARA / I'm under your spell / God, how can this be? Horrible’s Sing-Along Blog', "Anna And The Apocalypse interview: the director on his zombie musical", "Buffy-oke" does it once more, with feeling, https://en.wikipedia.org/w/index.php?title=Once_More,_with_Feeling_(Buffy_the_Vampire_Slayer)&oldid=1000737373, Buffy the Vampire Slayer (season 6) episodes, Television episodes directed by Joss Whedon, Television episodes written by Joss Whedon, CS1 maint: bot: original URL status unknown, Articles with dead external links from May 2017, Short description is different from Wikidata, Television episode articles with short description for single episodes, Television episode articles with short description and disambiguated page names, Creative Commons Attribution-ShareAlike License. [19] Common among most of these relationships—romantic, platonic, and familial—is, according to Krause, a "failure to communicate, lack of trust, [and the] inability to envision or create a viable future". [N.C.] Dm Am Dawn: Where do we go from here C G Asus Buffy & Spike: Where do we go from here F Giles: The battle's done, F/C (or some variation of- listen carefully) And we kinda won. Throughout the series Buffy Summers (Sarah Michelle Gellar), in her role as the Vampire Slayer, is assisted by her close friends, who refer to themselves as the "Scooby Gang". [55] Ogle in The Miami Herald vigorously protests this omission, writing, "[T]he most astonishing, entertaining hour (hour plus, actually) of TV in the past year slips by virtually unnoticed. Buffy's opening number, "Going Through the Motions", was influenced heavily by the Disney song "Part of Your World" sung by Ariel in The Little Mermaid. [16] Cast member James Marsters (Spike) said, "Some of Joss' music is surprisingly complicated. Understand we'll go hand in hand, But we'll walk alone in fear. Where do we go from here Where do we go from here The battle's done, And we kinda won. So we sound our victory cheer Where do we go from here? I rewatched it immediately mostly because of Tara’s voice singing Under Your Spell. Anya describes her own duet "I'll Never Tell" as "a retro pastiche that's never gonna be a breakaway pop hit". Spoilers for entire Buffy series and Angel through Season 4. [36] Giles' "Standing" is a ballad to Buffy that she does not hear, unlike the songs revealing truths elsewhere in the episode. Johnston, Tony (April 14, 2002). Series Author: littleotter73 Disclaimers: Buffy the Vampire Slayer belongs to Joss Whedon and other companies. [2][4], Buffy's former nemesis is Spike (James Marsters), a vampire. [28] Two Buffy essayists note that Willow and Giles sing together at the start of the episode, but later Tara and Giles share a duet to express the diminished part each plays in their respective relationships. [42], When the episode was originally broadcast in the United States on UPN on November 6, 2001, it received a Nielsen rating of 3.4 and a share of 5. Meeting Sweet at The Bronze, Buffy offers a deal to Sweet: she will take the place of her sister if she can’t kill him. When does the end appear? [56][57] In 2009 TV Guide ranked the episode #14 on its list of "TV's Top 100 Episodes of All Time". "[14] Davies was so impressed with Hinton Battle's performance on Broadway in The Wiz that he asked Battle to play the demon Sweet. ", Grey’s Anatomy’s Doctor/Horrible Sing-along, Musical TV episodes: The gimmick that won't die, Once More, With Feeling: Joss Whedon Revisits 'Dr. ", as the Scoobies stand dazed and disoriented, facing different directions. [9], The most complicated song, "Walk Through the Fire", leads all the characters to the climax from different locations for different reasons, reminiscent of the "Tonight Quintet" from West Side Story. The mood is set by music, characters discuss it, and writers use it to emphasize differences between generations. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! Whedon attempted to make the song tuneful yet chaotic to express the main point of the episode. This placed the episode in sixth place in its timeslot, and 88th among broadcast television for the week of November 5–11, 2001. [6] Tara's heartfelt love song also has an ironic subtext; although she appears to mean that she is fulfilled by her relationship with Willow, the lyrics include multiple allusions to Willow working her manipulative will over Tara, overlaid with Tara's euphoric singing about her pleasure in their union. Buffy the Vampire Slayer is a show of contradicting figures. Watch official video, print or download text in PDF. [13] Connie Ogle in The Miami Herald calls the songs "better and far more clever than most of the ones you'll hear on Broadway these days". ", all the Scoobies join her, including Giles despite his suspicions that Buffy is no longer interested in her life. [8], Whedon spent six months writing the music for "Once More, with Feeling". Rather than adopt the 'Hey, wouldn't it be wacky if we suddenly burst into song?' sheet music from Buffy The Vampire Slayer. The episode nears the end with "Where Do We Go from Here? ", The episode nears the end with "Where Do We Go from Here? Where do we go from here Buffy was in fact at peace, in what she thinks was heaven, but she has kept this a secret from her friends. GILES The battle's done and we kind of won. Buffy learns that the whole town is affected when she looks outside the shop to see a large group (led by series writer and producer David Fury) singing and dancing about how a dry-cleaning service got their stains out ("The Mustard"). And they don't play piano very well. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! They are mentored by Buffy's "Watcher", Rupert Giles (Anthony Stewart Head), a paternal figure since the first season, when Buffy moved to Sunnydale after her parents' divorce. [75] In October 2007, after a dispute with the Screen Actors Guild over unpaid residuals, 20th Century Fox pulled the licensing for public screenings of "Once More, with Feeling", effectively ending official Buffy sing-alongs. [29], Although "Once More, with Feeling" allows all the characters to confess truthfully, with the exception of Willow, it does not resolve the behavior that demanded confession in the first place. [34] The musical styles span from a jaunty 1950s sitcom arrangement of the Buffy theme in the opening credits—the only episode in the series to begin without the normal version of the theme song and full cast roll, signifying a genre shift[7]—to Anya's hard-rock version of "Bunnies". [41] Buffy studies scholar Rhonda Wilcox interprets Willow's diminished role representing the show's silence about Willow's descent into addiction and darkness through the rest of the season. The title of the episode comes from a line sung by Sweet; once the characters have revealed their truths and face the consequences of hearing each other's secrets, he challenges them to "say you're happy now, once more, with feeling". At the end of the episode, Buffy kisses Spike, initiating a romance that she hides from her friends. [24] For Buffy, however, truth is slow in coming, as she continues to lie to the Scoobies, claiming to forget what she sang about in the graveyard during "Going Through the Motions". So we sound our victory cheer Where do we go from here? His motivations changed when, in the fifth season, Spike realized he had fallen in love with Buffy. Buffy The Vampire Slayer feat. [35] Musically, the song uses influences from Ira Gershwin, a Charleston rhythm, and jazz-like chord slides. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in … It was the most watched program on UPN that night, and the third most watched program that week, trailing episodes of Star Trek: Enterprise and WWF SmackDown. Both Williams and Margaret Lyons at New York magazine, however, declared "Once More, with Feeling" the "gold standard" for musical episodes. Debi Enker in Australia's The Age writes, "Giles (Anthony Stewart Head) and Tara (Amber Benson) are terrific, Xander (Nicholas Brendon) and Dawn (Michelle Trachtenberg) struggle valiantly, and Willow (Alyson Hannigan) barely sings a note". Buffy - Once More With Feeling (OST) Where Do We Go From Here? Whedon assigned Emma Caulfield the rock-opera format because Caulfield often sang in such a way to him on the set. Where do we go from here. [6], "Under Your Spell" received attention from Buffy studies writers because it presents a frank and unflinching expression of lesbian romance. The Scoobies realize that their relationships have been changed irreversibly by the secrets revealed in their songs ("Where Do We Go from Here?"). [66], Since the musical episode of Buffy aired, several other series have worked musical format into episodes, including Scrubs, ("My Musical") in 2007,[67] an episode of Grey's Anatomy entitled "Song Beneath the Song" in 2011[68] and Batman: The Brave and the Bold, ("Mayhem of the Music Meister!") G Am C Giles & Tara: So we sound our victory cheer. When does the end appear, Whedon, who has stated this is one of his favorite Buffy episodes, used a widescreen letterbox format for filming (the only episode in the series to get this treatment),[12] different lighting to bring out the sets more vibrantly, and long takes for shooting—including a complicated shot with a full conversation, a song, and two choreographed dances that took 21 attempts to get right. Where do we go from here indeed, he knew exactly where he was going and he knew it was alone. Tara has previously expressed concern at Willow's use of her emergent magical powers for trivial or personal matters. [47] The characters as a chorus sing "The curtains close on a kiss, God knows / We can tell the end is near", moments before Buffy runs out to kiss Spike and the show closes with actual curtains. [49], "Once More, with Feeling" received widespread critical acclaim from media and critics when it aired, during overseas syndication, and in reminiscences of the best episodes of Buffy after the series ended. ", as the Scoobies stand dazed and disoriented, facing different directions. Left to take care of Dawn after the death of their mother Joyce Summers (Kristine Sutherland) in the fifth season ("The Body"), Buffy has come to depend more heavily on Giles. Giles forbids the gang to assist Buffy, so she goes alone, despite having no will to do so; eventually Giles and the Scoobies change their minds and leave to catch up. (Tell me) ANYA, XANDER Why is the path unclear When we know home is near? Although she asks in verse "Apocalypse / We've all been there / The same old trips / Why should we care? In the first episode of the sixth season, Willow, believing Buffy to be in Hell, used magic to bring her back from the grave. We can tell the end is near... 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'S done, and later insist to Giles that something evil is to blame anya, Xander Why is path... / Where do we go from here? fiend with a sad smile of....
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