A conversation (22 March 2017) with the artist and Madeleine Schuppli, Director, on the occasion of the presentation of The Secret Agent, 2015. Alice, a solitary astronaut, is teleported to a distant planet, and so is her double. His works often take their points of departure in local settings, from which broader issues can be identified. 'The plot wittily hinges on a phrase that reads differently depending on where you’re sitting: the Marxian LIVE REIFIED TIME or, in reverse, the satanic EMIT DEIFIER EVIL.'. STAN DOUGLAS: I was in Berlin just having premiered in Munich my play Helen Lawrence, and I saw this person in Rosa-Luxemburg Platz in East Berlin. Douglas’ massive stitched-together … Displayed on two square-format, translucent screens, each of which can be viewed from both sides, the looped narrative unfolds in side-by-side vignettes that depict events on worlds that are light years apart. I had the feeling that this person was an East Berliner just by their posture, their composure, their clothing, and just a general attitude. PHOTOS: NYTIMES An image (above) from Penn Station’s Half Century, a photo-panel series by Canadian Stan Douglas. He reenacts historical moments of tension that connect local histories to broader social movements of struggle and utopian aspiration. The exhibition Splicing Block examines the relationship between music and society in addition to a reflection on film and... Read more » On view until 25 September 2016. Douglas' Klatsassin features in Intersections (29 October 2016 - 6 February 2017), an exhibition framed as a series of visual and experiential intersections – a place and/or space where two or more lines of inquiry converge or cross. Elmgreen & Dragset, Kehinde Wiley and Stan Douglas unveil installations at New York’s Moynihan Station Midcentury modern living rooms that have stood the test of time Coworking 2.0: what does the future hold for coworking spaces? Head of Directors' Office, Client and Business Development, Sales Executive & Assistant to Matt Carey-Williams, Sales Team Coordinator & Sales Administrator, Director of Exhibitions - Head of Department, Photography, Rights and Reproduction Manager, Library Coordinator and Archive Assistant, 'Douglas's film plays with questions of ethics... but more profoundly with questions of communication.’, 'Both the structure and the subject matter of the exhibition offer an overarching sense of displacement or the uncanny. Installation view, Victoria Miro, 31 January–14 March 2020, © Stan Douglas, courtesy the artist, Victoria Miro, and David Zwirner, 16 Wharf RoadLondon N1 7RWt: 44 (0)20 7336 8109. Douglas often explores what he calls ‘speculative histories’, picturing pivotal moments when events in the world might have taken a very different turn. Born in 1960 in Vancouver, where he continues to live and work, Stan Douglas has been the subject of numerous exhibitions at prominent institutions worldwide. This annual prize worth $100,000 is awarded to a senior artist in recognition of their outstanding contributions to the arts. Between 2004 and 2006 he was a professor at Universität der Künste Berlin and since 2009 has been a member of the Core Faculty in the Graduate Art Department of ArtCenter College of Design. The period known as PREC (Revolutionary Process Underway) that followed stood in many ways outside dominant constructions of ‘history’ itself, which at the time ran firmly along geopolitical contours demarcated by the Cold War. Part of the Centre Pompidou's 40th anniversary celebrations, this exhibition (6 October 2017 – 14 January 2018) features Douglas' Hors-Champs, 1992. Then, Alice and her ship, the Hermes II, for unknown reasons, return. We are also closed on Sundays, Mondays and public holidays. For Scenes from the Blackout, he imagined the physical effects of a total loss of power in present-day New York City and how people would behave in such an emergency. Venice: Tuesday–Saturday: 10am–1pm & 2–6pm. I don’t know for sure, but that was my suspicion. We are also closed on Sundays, Mondays and public holidays. But it’s a good start. Stan Douglas has been selected to represent Canada at the 59th Venice Biennale in 2022. ... Berlin, Paris, New York, Lisbon, and Angola, among others. Douglas’ films and photographs have been included in exhibitions internationally since the early 1980s, including at documenta IX, X and XI (1992, 1997, 2002) and in four Venice Biennales (1990, 2001, 2005 and 2019). Accompanied by an artist’s book with a new text by Olivia Laing, Story features a number of paintings of... Victoria Miro is delighted to announce an exhibition of new works by Idris Khan. His work has additionally been presented at the 58th International Art Exhibition, La Biennale di Venezia (2019); Sharjah Biennial 14, UAE (2019); Haus der Kunst, Munich (2019); Hamburger Bahnhof, Berlin (2018); Museum of Fine Arts, Houston (2018); Tate Modern, London (2018); Aargauer Kunsthaus, Switzerland (2017); Hayward Gallery, London (2016-2017); Audain Art Museum, Whistler (2016); The Institute of Contemporary Art at the University of Pennsylvania, Philadelphia (2016); Museum der Moderne Salzburg, Austria (2014); Bildmuseet, Umeå, Sweden (2013); Museum of Contemporary Art, Chicago (2013); The Museum of Modern Art, New York (2013); Museum of Contemporary Art, Los Angeles, (2012, travelling to Whitney Museum of American Art, New York and Wexner Center for the Arts, Columbus, Ohio); Walker Art Center, Minneapolis (2012); ZKM/Museum für Neue Kunst, Karlsruhe (2010); and the Solomon R. Guggenheim Museum, New York (2010). Before contacting or subscribing please read our Privacy Policy. The exhibition (19 January – 18 March 2018) is a synthesis of video art, documentary and music videos from American and European artists. The accompanying Beethoven sonata (played b… The Julia Stoschek Collection Berlin presents an exhibition of works by the renowned Canadian artist Stan Douglas (*1960, Vancouver). Work by the artist is held in major museum collections, including the Art Gallery of Ontario, Toronto; Centre Georges Pompidou, Paris; The Israel Museum, Jerusalem; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Pérez Art Museum Miami; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Tate, UK; Vancouver Art Gallery; and the Walker Art Center, Minneapolis. ... (German Federal Cultural Foundation) and organized by KUNST-WERKE BERLIN e. V. Berlin Biennale. Stan Douglas: Doppelgänger 31st January–14th March 2020 Victoria Miro, 16 Wharf Road, London N1 7RW. 'The plot wittily hinges on a phrase that reads differently depending on where you’re sitting: the Marxian LIVE REIFIED TIME or, in reverse, the satanic EMIT DEIFIER EVIL.'. Since the late 1980s, Stan Douglas has been creating films, photographs, and installations, as well as recently venturing into theater productions and other multidisciplinary projects, … Stan Douglas was born in Vancouver in 1960. In Scenes from the Blackout, as in these related series, Douglas juxtaposes images that are filmic in their sweeping overview of what a collectively felt catastrophe might look like, with others that offer intimate glimpses into individual experiences. 'I can’t predict the future, so in a way, my science fiction – like everything else, like historical things – is an allegory of the present.'. Rappu is a brutalist sushi joint in Singapore This bright Berlin loft is all about colour and shape All general enquiries should be sent to
[email protected]. The exhibition (27 June–26 August 2018) brings together works by seminal figures from the photographic and photojournalistic world, alongside rare archive images. The exhibition (9 February – 13 May 2018) features around 40 international artists and explores the complex relationship between image and reality. Stan Douglas is widely regarded as one of the most important representatives of time-based media art. Stan Douglas’s research and use of historic film, photography and music as characteristic technology and theme have remained consistent throughout his career. 'I can’t predict the future, so in a way, my science fiction – like everything else, like historical things – is an allegory of the present.'. 'Douglas… reveals that beneath a media reporting – which is prone to quick headlines and opportunistic characterizations – an event leaves traces that can be reassembled and rethought. Filmed on location in Lisbon with a cast of local actors, the feature-length The Secret Agent, 2015, restages the plot of Joseph Conrad’s novella – a story of espionage, double-crossing and murky political entanglement – within the aftermath of Portugal’s ‘carnation revolution,’ which overthrew Europe’s oldest dictatorship, in April 1974. Intercut with quasi-abstract passages of colour and light, which nod both to avant-garde cinema as well as the history of space exploration, Doppelgänger presents a nuanced and layered parable that powerfully addresses the slippery notion of objective truth, and the position of the ‘other’ in contemporary society. Facebook. The Berlin architectural office Kuehn Malvezzi was responsible for the conversion into an exhibition house. Additionally, Victoria Miro presents selected works from Douglas’s photographic series Scenes from the Blackout. Stan Douglas (born in Vancouver, 1960) has had numerous solo and group exhibitions at prominent institutions worldwide. Stan Douglas Giant photographic panels by Douglas, a Canadian whose work reenacts historical moments of tension that connect local histories to broader social movements, serve as the backdrop along a more than 80-foot wall of a waiting area for ticketed passengers. Stan Douglas 31 Jan — 14 Mar 2020 at the Victoria Miro Gallery in London, United Kingdom A panoramic view of an almost entirely blacked-out cityscape is juxtaposed with scenes of individual experience: resourcefulness and various degrees of misbehaviour. Douglas' two-channel video installation Hors-champs, 1992, is included in a group exhibition (14 September 2016 - 19 March 2017) that links the vibrant legacy of avant-garde jazz and experimental music of the late 1960s (particularly within the African American arts scene on the South Side of Chicago) and its continuing influence on contemporary art and culture today. Before contacting or subscribing please read our Privacy Policy. After several years of standstill, the factory building found a completely new purpose in 2007 as a cultural venue and private exhibition house for contemporary art. Stan Douglas: SPLICING BLOCK was on view at the Julia Stoschek Collection, Berlin, in 2019-2020. This is the premise of his video installation, Doppelgänger, currently on view at David Zwirner in New York and Victoria Miro in London. See available photographs, prints and multiples, and paintings for sale and learn about the artist. Stan Douglas is the recipient of the 2016 Hasselblad Award and the 2019 Audain Prize for the Visual Arts. The installation Onomatopoeia, included in the National Gallery of Canada's centennial exhibition Songs of Experience(1986), brought him new attention. Debuted at La Biennale di Venezia, 58th International Art Exhibition, May You Live in Interesting Times, this ambitious work is exhibited for the first time in the UK. In 2016, Stan Douglas: Luanda-Kinshasa was presented at Pérez Art Museum Miami (PAMM), and Stan Douglas: The Secret Agent was exhibited at Salzburger Kunstverein, Salzburg. Jointly acquired by PAMM and the Los Angeles County Museum of Art, this film depicts a fictitious band of professional musicians at the famed CBS 30th Street Studio in 1970s New York City. Stan Douglas . A solo exhibition by the celebrated Canadian artist Stan Douglas, featuring the UK premiere of a new multi-screen film installation along with a series of large-scale photographs. Conclusions are withheld from the viewer, however, even as multiple viewpoints tantalisingly suggest the possibility of privileged access to the truths of a complex situation. Art Previews; EXHIBITIONS; Tags. When one spacecraft embarks on its journey, another is launched at the same time in a parallel reality. Sieverding graduated in 2007 with an MFA from the Berlin University of the Arts where she studied under Stan Douglas, Ellen Cantor, Dieter Appelt, Sabeth Buchmann, and Katja Diefenbach.In 2002, she attended the Carnegie Mellon University in Pittsburgh, Pennsylvania and in 2005 the Surikov Art Institute in Moscow.. Work. Stan Douglas: Splicing Block opens at the Julia Stoschek Collection, Berlin The exhibition (1 November 2019–1 March 2020) examines the relationship between music and society, and is at the same time a reflection on the media of film and photography. Saturated with information, and yet rejecting easily consumable messages, these works place the viewer within the charged atmospheres and ambiguous political and social intricacies of 1970s Portugal and postwar Vancouver, respectively. These panoramic mise-en-scènes first appeared in Helen Lawrence, a groundbreaking cinematic theatre production that plunged into the seedy underbelly of the immediate postwar period in North America, before what the artist describes as ‘the sudden call to order and morality’ of peacetime had fully taken hold. 'With Douglas's work, you often feel like you have stepped into a much bigger narrative that concerns, among other things, the lingering effects of post-colonialism and modernism.'. Since the early 1990s, multi-channel video installations have been an integral part of Douglas’s practice, allowing for the simultaneous presentation of multiple, overlapping narratives or vantage points, and with Doppelgänger he extends his ongoing exploration of both nonlinear narratives and alternate histories: the omnipresent sense of doubling that is built into the structure of the work implicitly suggests the possibility of simultaneous, diverging experiences and realities. Doppelgänger is concurrently on view at David Zwirner, New York, until 22 February 2020. It marks Doppelgänger's debut in Asia. Victoria Miro is pleased to present Doppelgänger, a video installation by Stan Douglas. View Malecón (2004) By Stan Douglas; C-print mounted on honeycomb aluminium; 47 7/8 x 92 7/8 in; Signed; Edition. David Binder, “U.S., in Message to Lisbon, Says Move Left is a Danger to NATO,” The New York Times, March 27, 1975, p. 2, cited in Pedro Lapa, History and Interregnum: Three Works by Stan Douglas (Lisbon and Berlin: Berardo Museum Collection and Archive Books, 2015), 30. ', 'The streets are these arteries where the people, the police and objects are all interacting…It’s not focusing on mayhem and that fascinates me.'. Dwyer also trained under Professor Stan Douglas at Berlin University of the Arts from 2005 to 2007. The exhibitions will mark the US and UK premieres of the piece. The artist queries the past in his works, breaking through narrative structures to blur fact and fiction. Since the 1980s Stan Douglas has reappropriated key moments from history, precisely examining political, social... Victoria Miro is delighted to present new works by Chantal Joffe. His works are again being shown in a solo exhibition in Berlin for the first time since 2001. Categories. You will find links at the bottom of all emails we send from our mailing list which allow you to Update your preferences to change the way we contact you, or Unsubscribe if you want to opt out. Where The Secret Agent is made in the mould of the classic Hollywood thriller, these works borrow from film noir, a genre that reflected the tough-talking nihilism and veiled anxieties of a generation traumatised by war and which has served as an enduring source of inspiration for Douglas.The darkly hyperreal quality of these images is the result of digital rendering – a means of image-making foreign to both the naked eye and the camera lens, which departs from logics of documentary accuracy even as it makes possible an almost hallucinatory sharpness of detail. A black man in a city where there are few black people, Douglas uses that feeling of being different to influence his work. Douglas's multidisciplinary works, including films, photographs and, more recently, theatre productions, reflect on the dynamic potential embedded in pivotal historical moments. Recent venues for solo exhibitions include Julia Stoschek Collection, Berlin (until 1 March 2020); MUDAM, Luxembourg (2018–2019); the Hasselblad Center, Gothenburg (2016); Pérez Art Museum Miami, Florida (2016); Salzburger Kunstverein, Salzburg, Austria (2016); WIELS, Centre d’Art Contemporain, Brussels (2015); Museu Coleçäo Berardo, Lisbon (2015); Fruitmarket Gallery, Edinburgh (2014-2015); Carré d’Art - Musée d’Art Contemporain, Nîmes (2013, solo, travelling to Haus der Kunst, Munich, 2014; Nikolaj Kunsthal, Copenhagen, 2015 and Irish Museum of Modern Art, Dublin, 2015); Minneapolis Institute of Arts, Minnesota (2013) and the Moscow Photobiennale 2013. 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