Sounds like an argument between many different sides, and very unclear who is “saying” what. google_color_border = "FFFFFF"; No, because the “knocking” continues. The music then progresses to a devilish sound, like something straight out of Hell. In the 4th movement, an interesting visual effect occurs when it appears as if the performers are knocking on their instruments! I decided to listen to each back to back, and skip the middle 3 movements. Secret Resistance: An Analysis of Shostakovich's Symphony No. The knowledge of this DSCH motif changes my perception greatly, because it makes this particular string quartet very personal to Shostakovich, and very autobiographical. So much of the first movement already presents repetition: variations on the same central theme. Shostakovich was never a fan of the government that constantly instilled fear not only in himself, but also in the entire Russian population. Interestingly the Jewish melody comes into the middle of the 2nd movement. 8 in C minor, op. The 5th movement seems almost a continuation of the 1st movement, especially since the tempo of both is Largo. Also I get the general impression that the performers are less “professional” than the members in the Borodin String Quartet. Journal of Shostakovich 8th string quartet analyses   His dedication is first dedicated to the victims of fascism, and then to the victims of war. 8 IN C MINOR, OP. google_ad_slot = "3559092009"; The sudden crescendo into the second movement is alarming and almost unexpected. google_ad_slot = "3559092009"; Chromatic scales are mostly descending in cello now, but it is not a solo, and almost secondary. In the first movement the tempo is slower than in the Borodin String Quartet. In 1960, Shostakovich finally conceded and joined the Communist Party. Ultimately, I liked the recording of the Borodin String Quartet, because I think the piece was played in exactly the manner that Shostakovich intended it to be played. Certainly Jews were targets of Nazi fascism. For example in measure 29, the first violin plays a descending chromatic scale which spans a 5th (figure 1, left). 4th entry Sounds like an argument between many different sides, and very unclear who is “saying” what. The communist (though really totalitarian beginning with Stalin) government in Russia thrived from instilling fear in its citizens. Again goes to exactly how 4th movement started. Shostakovich wrote his String Quartet no. For the final entry, I decided to listen to a different interpretation of the quartet. 10th entry In the second movement for example, the melody sounds distinctly Jewish. It is one of Shostakovich’s greatest masterworks. 8 In C Minor, Op. The 3rd movement sounds like a waltz of death by a firing squad. Suddenly the performers become vivacious, but it seems like the tempos between the quartet members are out of sync at the start of the 2nd movement. Shostakovich's String Quartet No. Pizzicato for string instruments is the plucking of the bow, but why does Shostakovich include it? 9th entry google_ad_height = 60; 110 by Dmitri Shostakovich (1906-75). Suddenly the performers become vivacious, but it seems like the tempos between the quartet members are out of sync at the start of the 2nd movement. 8, in C minor (1960) There is nothing bright or hopeful about Dmitri Shostakovich’s String Quartet no. The second section (m. 29–85) is comprised of a drone played by the second violin, viola, and cello while holding their lowest open strings (C and G) underneath a chromatic line from the first violin. google_ad_width = 468; Stalin killed millions upon millions of people to quell his opposition. The idea first appears in measure 27 in the second violin, viola, and cello (figure 5). Repetition of melody line over and over again. Again back to the 4 original notes. Lesser calls the quartets Shostakovich's "pure" music, by way of contrast to the "impurity" of the symphonies and other work, as demanded by the composer's navigation of … Now the fear inherent in this piece may be the fear Shostakovich has to live with daily in the wake of an oppressive Soviet government. Shostakovich was planning this quartet as his final work when he wrote to his Jewish friend Isaak Glikman: “I reflected that if I die some day then it’s hardly likely anyone will write a work dedicated to my memory. All 4 instruments play together now, with cello deviating occasionally. The communist (though really totalitarian beginning with Stalin) government in Russia thrived from instilling fear in its citizens. As a result of this intense campaign against Shostakovich, his 4th symphony was not performed for 25 years — after Stalin’s death. Some of the notes in the cello and violins are starting to sound out of tune. If so, then the somewhat romantic melody in between is somewhat like Chopin’s funeral march. Fifths are very import elements in this movement both for the open quality of the harmony but also in some of the melodic elements. Shostakovich: String Quartet No. 3rd entry Again there is no break from 4th to 5th movement. 8 (Landmarks in Music Since 1950) The happy melody line that builds up gives the impression that either the KGB agents have left him alone, or they have come to some sort of an agreement. The Fitzwilliam String Quartet doing the Shostakovich String Quartets were my first set of all DSCH's string quartets. The knowledge of this DSCH motif changes my perception greatly, because it makes this particular string quartet very personal to Shostakovich, and very autobiographical. No, because the “knocking” continues. In a letter, Shostakovich sarcastically dismissed it as an "ideological piece of no … The Victoria Conservatory recording does not have this dying effect, which may be indicative of their interpretation. The sound is grim, and not very happy. I read some history on Shostakovich in order to better understand the 8th string quartet and the context in general. This also verifies my interpretation of the 2nd, 3rd, and 4th movements, which are clearly dedicated to victims of fascism and war, whether they be casualties of World War II, or casualties of Nazi or Soviet systematic execution – Jews and the Russian people. However, this is no regular church service, it sounds more like a funeral procession for Dmitri Shostakovich. The 6 note rapid succession which should sound like a firing squad is barely audible in the Victoria Conservatory recording. 5th entry I read some history on Shostakovich in order to better understand the 8th string quartet and the context in general. The 8th string quarter may have been another time where this was the case. These three ideas make up the main components used to compose the piece, but also large sections of Shostakovich’s career. This sheds light on the 4th movements, in which the KGB knocks on Shostakovich’s door. In addition, the use of the long short-short motif which has been utilized numerous times as Shostakovich’s go-to way to create motion suggests some state of reflection. Moreover the violins create very violent sounds, almost like a massacre. 8, is in C Minor, which is an important distinction from a major key, which would sound happier than a minor key. It still seems autobiographical because of the DSCH motif in the first movement. In the context of politics, some parts of the 3rd movement’s waltz sounds almost like a firing squad. The 3 loud bursts definitely sound like someone knocking on the door. This slow, extremely sad theme can also be heard in his Cello Concerto No. Ship This Item — Qualifies for Free Shipping Buy Online, Pick up in Store Check Availability at Nearby Stores. String Quartet No.8 in C minor op. google_color_text = "000000"; The String Quartet No. Sudden drop in volume, followed by a crescendo. In the first movement, the vibrato in cello creates a sense of fear and uncertainty. It seems as if the violins are attacking their instruments. google_ad_type = "text"; The melody line keeps repeating; first it sounds romantic but reverts back to general mood of first movement. An Analysis of 'String Quartet no 8. op 110 movement 1' by Dmitri Shostakovich What made it one of the most popular string quartet's by a Twentieth Century composer? Highly charged Paints an aggressive and brutal picture - a real explosion War-like and intense Mood Main modal for character + texture of movement = 3rd movement of 8th symphony Comparable to a Sherzo and Trio repeated with alterations, or Sonata minus development Inclusion of 105). In the first movement, there are places where the melody becomes “romantic-like”, where the fear subsides, but it does not last long, and the sad and melancholy melody returns to haunt Shostakovich. Perhaps the sad and disconcerting sound is purposeful in an attempt to “show” how life is under the Soviet government. “The Rhetoric of Reference; or, Shostakovich’s Ghost Quartet.” Academia.edu — Share Research, www.academia.edu/630315/ The_Rhetoric_of_Reference_or_Shostakovichs_Ghost_Quartet. 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