September 6, 2020 by Brea Cubit Dance group Diversity left viewers in awe during the semifinals of Britain's Got Talent on Saturday. Change ), INDENTURED UNITY IN DIVERSITY by Selvan Naidoo & Kiru Naidoo, The Furniture Industry crafted by migrant Indians in Durban by Dr Shamin Mahabeer. Photos by Darren Chiong of the DANAMIC team. The confluence of African and Indian art forms have forged ahead to create wonderful forms of artistic expression that have a powerful voice of social cohesion in our democratic dispensation. The rich and varied Indian Music and Dance play an important part in unity and integration. The sound effects throughout the musical were effective in creating the respective moods seen in Manik’s sacrificial death, Artha and Nihita’s first awkward encounter, Batara and Nihita’s tense father-daughter relationship and many more. Click on the 2020 tab in our menu or the button below for more info! Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. However, as both my Grandfathers came to South Africa as “Passenger Indians” from Mauritius, in the late 80s, information about them is scant. Unity and Diversity Dancers group crashes Winter Garden parade, infuriating city manager Posted By Solomon Gustavo on Mon, Dec 9, 2019 at 4:41 PM click to enlarge This penultimate scene was a perfect summary of the key ideas the musical hoped to impart to its audiences. The audience is offered a taste of Indonesian’s rich culture. Unity in diversity is a phrase that signifies the unity among people with diverse cultural, religious beliefs, social status and other demographic differences.. Ngcobo was born in an Indian/African neighbourhood of Gillitts in Kloof, Durban. Style Music Video for ‘Waxing Crescent’, Samsung Galaxy S20 FE: The DANAMIC Review, Serving up new designs in a retro American diner: New Balance’s new pop-up store is a refreshing blast to the past, Yanmi Yogurt’s Purple Rice Yogurt Drink Might Just Be the New Bubble Tea. For our motivations, in any case, it implies something more than unimportant contrasts. Throughout the musical, Artha implores the audience for reassurance various times through lyrics like “I have nothing” and “ What would I become?”. GDF Unity in Diversity works in the field of citizen diplomacy and uses 'dialogue' to promote intercultural understanding. ... Los Angeles, California, USA. Both Artha and Nihita smiled, for they have both reached their goals of ‘writing our own stories’. Unity in music and dance diversity . The line ‘Will you trust me this once?’ sung by both Batara and his daughter Nihita was absolutely heart-wrenching. The music and dance styles of Indonesia are also understandably diverse due to the number of insulated cultures. She wrote,“ They began as the improvised expressions of the poor indentured workers…. ( Log Out / In this series of four mixed media prints titled Conversations in my Mind, Then and now, Galdhari challenges of “a place called home” and a yearning for her roots are articulated. Welcome to Diversity. The contemporary hip-hop squad, which won the show in … Professor Suria Govender’s Surialanga Dance Company pioneered an unexplored landscape of artistic endeavors that has enormous potential in suturing our fractured past. The scene where Hasea struggled internally was portrayed in an impactful manner. Classes for the 2020-2021 season begin Sept. 8th! Who else is looking forward to the next story ICN brings to life? Arts. INTERNATIONAL INSTRUMENTAL COMPETITION FOR YOUNG PERFORMERS “COLIBRI” 2020 Founder: Unity in Diversity Arts Foundation. Tech. Cultural dance: Celebrating unity in diversity Related articles. She sings ‘Evil will vanish but love will not vanquish’ and ‘It is ourselves we must truly embrace’. ICN is an annual musical production brought to you by over 120 Indonesian students passionate about storytelling in Nanyang Technological University (NTU). Sadly Ngcobo died 2015 and is sorely missed for mastering a craft that was foreign to indenture. The aftermath of a civil war in the late nineteenth century saw the emergence of various family groups of the Batak tribe in North Sumatra. The dance demonstrated welcoming gestures, toward both the characters and audience, with open arms and wide smiles. In the field of visual art, Faiza Galdhari, a master’s graduate from the University of Durban Westville explores issues of location and dislocation, together with representation and the empowerment of Muslim women. Our indentured ancestry brought with it a vibrant heritage that sought to elevate art and cultural traditions in seeking expression. The musical ends on a happy note, with the citizens of the Eastern and Western kingdoms gathering and dancing in celebration during Artha and Nihita’s wedding. Their meager talents and instruments provided for the little Indian communities, settled in rural and virgin environs of the city, the basis of all their entertainment.”. Both father and daughter express smiles — albeit of regret — for they were both aware of what they could have done better. Before leaving the scene of Manik’s death, Kareang gives the audience a sinister smile and coyly places a finger to his lips— a promise that this was only the beginning of his devious plan. 23 Sep 2020. One by one, the characters took to the stage, their backs against the curtains, with only a single spotlight shining on them as they took turns to reflect on themselves. During the period of indenture, ‘free’ indentured workers found time for creative expression that manifested as a cathartic process to the oppressive plantation life. Letting himself be consumed by his desire of power, he showed no regret till this point, where he attempts to explain and redeem himself, claiming ‘For power has made (him) a fool’ and that he ‘deserved punishment’. As a result of this, her family was forced by the Apartheid’s Group Areas Act to live in a ‘coloured area’, which she maps out in this artwork. In Indian Culture site is our small foot step towards to offers, related information about Indian history and collections of music, dance, theater, folk traditions, performing arts,Indian personalities, rites,rituals,paintings,ancient monuments, literary, visual arts, fairs and festivals and handicraft of India. We work mostly with local and migrant children and youth in Africa and Europe; harnessing skills and diversity for the benefit of all. October 16, 2020 Could you, please direct me to the best source of information about them. Chinese lion dance performance by Kong Ha Hong group in South Jakarta's Pondok Indah Mall. Titled Nilanka: A Musical, the story takes viewers back in time for a riveting performance. Nihita, who sees herself as an independent woman, believes she is more than what people expect of her. In spite of diversity in physical features, its influences on person’s living, varied habits, religious faiths, language, food and dress habits make the … Among the audience … The joint participation developed into a fusion of Muslim and Hindu cultural traditions that foregrounded cultural and artistic expression. In an arena of cultural proprietorship that is closely guarded by a Brahmanistic world circle of Indian classical carnatic music, Patrick Ngcobo obviated old world hegemonies. 25th January 2020. Kareang’s consequence was one of greed. Restricted by the expectations of being a graceful princess, Nihita longs to break free and prove her worth — that she is more than capable than any other man in leading the kingdom. Professor Govender’s dance explorations were proudly debuted at Tata Nelson Mandela’s inauguration in 1994. This closeness saw Hindus, Christians and Muslims all coming together in the festival called Muharram, a festival that mourned the death of a Muslim martyr. Both parties yearn for the other to understand and give in, but one side is just as stubborn as the other. The lyrics in many of the songs used in this musical are simple, yet packed with emotions that never fail to move the audience. “For generations, ICN Cultural Production has discussed various themes while showcasing the vibrant culture and illustrations history of our Nusantara.” This year, ICN Cultural Production tells a captivating story about growth, love, and ambition from the classic Batak folklore ‘Dayang Bandir and Sandean Raja’. Indian Dance Forms an aspect of unity in diversity November 21, 2016 June 30, 2017 admin 0 Comments Folk Dance , form of dances , Indian Dance forms From locale to religion and from area to dialect, it demonstrates distinctive hues that make its really extraordinary and astounding. The first lot of free Indians had among them a few musicians, storytellers and dancers who improvised in creating entertainment. Change ), You are commenting using your Google account. Professor Suria Govender’s Surialanga Dance Company pioneered an unexplored landscape of artistic endeavors that has enormous potential in suturing our fractured past. Unity in Diversity is a concept of togetherness without uniformity and diversity without fragmentation. 20. It is based on the notion that diversity enriches human interaction. What’s better than knowing? 23rd December 2020. ... Online class options for the upcoming dance season! Lifestyle. Electoral body sacks 6 officials. Religious celebrations, like Eid al-Fitr and Deepavali have been woven into the rich social tapestry of our democratic nation. As a father, Batara only wants the best for his daughter. Years later, this fusion of hybridity developed into artistic explorations that have been lauded world over. 5 Sep 2020 8:53 PM ( Log Out / ICN 2020: Unity in Diversity NTU's ICN Cultural Production returns with ICN 2020 — titled Nilanka: A Musical.This year sees them exploring Batak folklore in a riveting performance. All Rights Reserved. We are united because of our ancestors have taught us to live with all kinds of people and embrace them like brothers and sisters. Hasea admits with guilt that she was ‘blinded’, and further advocates the idea of ‘unconditional love’. Manik promoted the idea of always ‘listening to the voice within’ and staying true to one’s self. Salt Lake Shiksha Niketan, the school that overlooks the beautiful bheris behind Sector V, celebrated its 14th foundation day with a colourful performance by students. Due to circumstance outside her control, she thus experienced an alienation from a ‘community’ with which she desired a relationship. A people so beautifully defined by former President Thabo Mbeki when he said “I come of those who were transported from India and China, whose being resided in the fact, solely, that they were able to provide physical labour, who taught me that we could both be at home and be foreign, who taught me that human existence itself demanded that freedom was a necessary condition for that human existence.”. Her guilty side warned ‘No Hasea,’ ‘You will regret!’, but eventually failed. We value the visible and invisible qualities that make dancers artist. Unforgettably, their last lines are sung — ‘We have been fitting in well in a mold of conformity’, ‘ready to accept ourselves’, ‘everyone’s different but all equal’ and ‘embrace who we truly are’ — reinforcing the musical’s message to the audience: unity in diversity. In collaboration with the United Nations Alliance of Civilizations, our objective is to initiate, promote and foster cooperation among the global community in a range of intercultural initiatives that aim to establish a peaceful and safer coexistence. We are a humanitarian foundation contributing to sustainable communities through education, integration, awarenes and empowerment projects. Change ), You are commenting using your Facebook account. Selvan Naidoo is the curator of the 1860 Heritage Centre and Kiru Naidoo serves on the Advisory Board of the Gandhi-Luthuli Documentation Centre at UKZN. Facts About Indonesia: Unity in Diversity. The musical started off with a joyous dance that introduces the audience to the kingdom in the East, and later on to the kingdom in the West. Enter Arta, the crown prince of the kingdom in the East. It implies aggregate contrasts, that is, contrasts which separate one gathering of individuals from another. Ngcobo hosted a regular show on Carnatic music on the South African radio station Lotus FM, the first Black South African to do so. Until then, we will not be in the studio during our regular business hours. Artha is deemed as young, spineless and weak, and ultimately unfit for the role of King. Inspired by Mandela’s vision of intercultural harmony with the Zulu culture of KwaZulu-Natal, Surialanga has created a uniquely South African version of Indian classical Bharatanatyam that incorporates Zulu dance and culture to boldly venture where no one chose to go to. Lights were out on the other characters on stage and their unmoving stature created an atmosphere where Hasea was truly alone with her conflicting emotions and motives. Eileen’s positivity generates a community of dancers instilled with humility, respect and morale. Kareang, their fierce uncle, is initially introduced as an unassuming character but his true colours and motives are revealed soon enough; as the culprit of Manik’s death. Indenture to Democracy: A South African story of struggle, heritage and achievement. INDENTURED UNITY IN DIVERSITY by Selvan Naidoo & Kiru Naidoo. In response to Artha’s constant doubt, she provides him with her unwavering support as seen in the musical numbers of ‘Be our King’ and ‘You’ll be the Greatest’ where she sings to him, in response to his uncertainty about taking on the role as king. Please continue the work you do to keep future generations informed. Many of the islands have their own expressions of art and traditions that are not well known by the Western world. Indian Society – Unity in Diversity : Normally diversity implies contrasts. Get updates through Telegram. As the owner of Misako Dance, I stand together with Americans, and people around the world advocating for racial justice, equality and unity. Unity in diversity essentially means “unity without uniformity” and “diversity without fragmentation”. The song ended on a lullaby-like note, and while Hasea’s final smile towards Artha looking deceivingly gentle and innocent, it is made known to the audience her motives were nothing short of sinister. The symbol of sacrificial love, Manik reminds the audience to love one another, including themselves. The complex constructions of religion and caste identity that bedevil modern India were not evident on the plantations of the indentured. ... Ilene Glatfelter September 8, 2020. From the Ganges to the Kaveri and no matter where we travel in the marvelous land of our Indian ancestry, our African identity is never in doubt. Fitness. Diversity In Dance | youthachievers February, 15 2020 We welcome every dancer to bring their unique artistry and experience to the dance floor to be celebrated by our supportive dance community. In the words of Kwame Nkrumah, “home for us is Africa not because we were born in Africa but because Africa was born in us.” In a year that commemorates 160 years since the first Indian Indentured workers arrived to our African shores in 1860, we are happy call ourselves African “in the knowledge that none dares contest that assertion.”, In a month that celebrates the rich diversity that makes up our rich South African heritage, and for the purpose of this article, we narrow our focus on the arts and culture that was brought here aboard 384 ships by 152 184 indentured workers. 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